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After winning a competition to design a second home community in southwestern Michigan in 1987, Daniel Wheeler, AIA left Skidmore, Owings & Merrill LLP to start a new firm. Six months later, a former colleague, Lawrence Kearns, AIA joined him, and they began laying the philosophical groundwork for what was to become Wheeler Kearns Architects.
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At the center of the philosophy was the creation of a collective practice. In its current form, seven full-time registered architects equally wear the hats of designer, technician, and manager. Each architect is a project architect for multiple jobs and sees a project develop from inception to post occupancy evaluations. At times, the staff joins together to assist the project architect in completing portions of a project. Everyone has a voice in design criticism at formalized weekly studio crits, during which ideas behind all current projects are shared.

The product of the firm continues to evolve, but one central tenet holds: Simplicity is regarded as the most evasive, seductive, and lyrical aspect of architecture at Wheeler Kearns Architects. Complex solutions to complex problems are not held in high regard, simple ones are. The firms seeks small to medium sized projects with an intellectually challenging program, where the client contact is the user or beneficiary of the final product. Notable recent projects include residential work as well as the Chicago Children's Museum and the Old Town School of Folk Music.

In 1992, Architecture magazine selected Wheeler Kearns Architects as one of nine national firms to be included in their biannual "Emerging Talent" issue. Their work was featured in the "Ingenious Solutions" exhibit at the Chicago Architecture Foundation this summer, and has been included in The New American House and Casas International 35.

The firm also places great emphasis on community service. In addition to hosting interns in their office, members of the firm teach, lecture, volunteer and mentor through a variety of local universities and religious, social, and community organizations. All, they say, to promote architects and architecture's role in society.
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A private bar for Goose Island Brewery in Chicago.
Photographed by William Kildow. 1989.



The Chicago Children's Museum at Navy Pier.
Photographed by William Kildow. 1995.



Installation for "Chicago Architecture and Design 1923 - 1993" at the Art Institute of Chicago.
Photographed by Van Inwegen Photography. 1993.



A private residence and studio in Chicago.
Photographed by William Kildow. 1995.
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